The X Factor: What Became Of The Star-making Hit Show?

ex factor

Nor could it survive without engaging the dominant mode of pop music. There was nowhere for it to go but down. In 2015, a year after streaming figures were incorporated into the Official Singles Chart, Louisa Johnson became the first X Factor winner to miss the top five. After that, the show never produced another number one.

Matt Cardle returned the show to the festive top spot in 2010, after more than 17 million viewers tuned in to see him crowned winner of that year’s series, but he was the last of a dying breed. “So, in terms of Saturday night’s entertainment, it was one of the only shows where you had FOMO [fear of missing out],” he says. In recent years though, audiences fell by nearly half, and this week ITV confirmed it had no plans for the show to return. Its creator Simon Cowell is focussing his attentions on a fresh music panel show, entitled Walk The Line,while channel bosses have fresher formats to concentrate on, like The Masked Singer.

ex factor

You know Wu-Tang Clan’s Protect Ya Neck, the classic GZA line Who’s your A&R, a mountain climber who plays the electric guitar ? I can just picture the Fugees’ early A&R guy, fumbling through Foxy Lady on a Fender Stratocaster atop Mount Rainier, before calling up Wyclef on a chunky satellite phone and being like, You should rap like the sell dudes in Onyx. Just stupendous artist mismanagement. No wonder these people don’t trust anybody else. I have come to appreciate the Blunted on Reality record for those moments when the Fugees transcend their circumstances and ignore everyone else in the room. The far more celebrated Nappy Heads remix, for example, produced by Salaam Remi.

Upon its release, “Ex-Factor” received widespread critical acclaim.[3] The song peaked at number 21 on the US Billboard Hot 100 and at number seven on the Hot R&B/Hip-Hop Songs. Internationally, it peaked within the top five in Iceland and the United Kingdom. The singer also hopes her efforts will provide “comfort” to former contestants, in the knowledge that “their voices have been heard and used for greater change”. She confirmed she was now advising the government, with the help of other former reality TV stars, in how to implement measures to protect “future generations” of participants. “I think attitudes have changed,” he continues.

Additionally, the song speaks to the complexity of love and the multifaceted nature of relationships. It speaks to the universal experience of heartbreak you can try these out and the complexity of love. It encourages listeners to reflect on their own experiences with relationships and to find hope in the midst of pain.

The song’s chorus repeats the lines, It could all be so simple / But you’d rather make it hard / Loving you is like a battle / And we both end up with scars. This repetition perfectly captures the pain of heartbreak such a good point and how hard it can be to let go of someone we love. The entire song is a reflection on how it feels to experience a failed relationship. Lauryn Hill’s lyrics are raw, heart-wrenching, and deeply moving.

The second single off Ms. Hill’s classic album The Miseducation of Lauryn Hill. The song has been claimed to be aimed at former Fugees bandmate, Wyclef Jean. Jean was married to another woman while carrying on an affair with Hill, hence the tempestuous nature of the relationship described in the song. To hear the full episode click here, and be sure to follow on Spotify and check back every Wednesday for new episodes on the most important songs of the decade. This excerpt has been lightly edited for clarity and length. This clip resurfaces periodically and triggers a bunch of blog posts, some with the headline, Young Lauryn Hill Gets Booed Offstage, but as author, critic, and fellow podcaster Hanif Abdurraqib noted awhile back, young Lauryn Hill for sure does not get booed offstage.

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